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We’ll surely do a proper blog about last night’s Night Shift pub gig soon, but here’s a quick roundup with pictures and your feedback. Huge thanks to everyone who came along – we couldn’t have fitted many more of you in! A full set list will follow shortly.

“this was a great night out “
Bachtrack review

Twitter feedback:

@rubertg: Was at @theoae’s Purcell In The Pub last night. Fabulous evening, sweaty, beery, noisy, tuney. Like being there the first time around.

@katysaustin: Fun, rustic pub ‘n’ Purcell chez @theoae last night; @thoroughlygood as compere.

@kitmonsters: Fab pub gig @theoae setting a new benchmark for vintage kit 😉 + gorgeous tuneage from DJ @rocking_bob @bobpetesarah St Etienne

@paulcampy: fantastic music at #TheNightShift courtesy of @theoae – but a bit of a shame either venue too small or too many tickets sold.

Audience comments

 

Pics (all by Joe Plommer)

If you’ve not come across it before the Londonist is a great online magazine, with info and previews of lots of interesting things to do around town. We’re really thrilled they’ve done a little piece on our Night Shift in-a-pub, and that they’re really *got* the OAE and what we’re all about.
If you’re intrigued we still have some advance tickets available for £6 here.

Coming up soon on the blog: Photographer Eric Richmond on the new pictures for the 2011-2012 brochure, What goes on in PRIDE meetings, and why Milk is good for classical music.

OAE at the Usher Hall

OAE at Edinburgh's Usher Hall

A couple of a reviews from our concert at the Edinburgh International Festival a couple of weeks ago:

“Vladimir Jurowski is having a devilish summer. Last month he was steaming through Liszt’s Faust Symphony with the London Philharmonic at the Proms, but here he was in Edinburgh to embark on the same sulphurous journey with the Orchestra of the Age of Enlightenment, of which he is a Principal Artist.

It’s a considerable challenge for a period orchestra to tackle the span and intensity of Liszt’s most grandiose philosophical statement. But the OAE stared down the demons — sometimes literally — with verve”  The Times

Full article (subscribers only)

“All in all, it was for me the most satisfying Usher Hall concert of this festival so far. They took a rarely performed work and made me wonder why; they took a frequently performed work and made it feel freshly minted. This was an evening filled with passion, drama and energy, one that frequently had me on the edge of my seat. ”  Where’s Runnicles Blog

Full Article

Last week we made our annual appearance at the BBC Proms, as part of the Glyndebourne Prom, a semi-staged performance of Handel’s Rinaldo. Here’s what the reviewers and bloggers made of it:

Guardian

Music OMH

Classical Source

The Times (subscribers only)

Gramophone

Seen and Heard

There are some pictures from the Prom on the Proms Facebook Page here.

As you may have seen, inbetween performances at Glyndebourne this summer we have been jetting off to particpate in another of Europe’s great summer music festivals – the Salzburg Festival. There we’ve been performing Mozart’s The Marriage of Figaro, with conductor Robin Ticciati – with the run finishing this weekend just gone. Here’s what some bloggers made of the production and performance:

Intermezzo

Jamilton

I Hear Voices

Rinaldo. Photo by Bill Cooper

The second opera which we’re performing in at Glyndebourne this year, Rinaldo, opened on Saturday and the reviews are now in. Here’s what the critics had to say:

Telegraph

Independent

Financial Times

Guardian

The Arts Desk

Daily Express

Evening Standard

Music OMH

The Stage

Observer

Simon Rattle at RFHWell, the reviews are in from our Rattle concert on Tuesday at the Royal Festival Hall, plus a couple from the tour too. You can read them via the links below, but here are three of our favourite quotes:

“That continuing rapport was immediately and sustainedly obvious in this delightful Haydn and Mozart concert, and all without any of the publicity overload that surrounded his Berliner Philharmoniker dates earlier in the year.

There was some Haydn in those Berlin programmes, too, but this time, working with a much smaller and more specialist band, the treatment was more authentic and enjoyable.” THE GUARDIAN (4 stars)

“It was in the two Haydn symphonies that Rattle and the OAE best showed what a triumphant partnership the two have honed in some 25 years working together” THE TIMES (5 stars)

“When this music is played by the OAE light doesn’t just dawn, it dazzles; and even more so when Sir Simon Rattle is on the podium” THE TELEGRAPH (5 stars)

Guardian

Telegraph

Times

BBC Music Magazine

Classical Source

Bach Track

Irish Times (Dublin concert)

Petite Classique (Luxembourg concert, in French)

Picture by Joe Plommer

Wow, Glyndebourne always arrives sooner than you expect – hard to believe we are now three performances in there, with the fourth tonight. Our first opera there is a revival of last season’s production of Don Giovanni. Last year’s performances were conducted by Vladimir Jurowski (we’ll post a video of him talking about the piece soon), but this year Robin Ticciati is at the helm. Here’s a selection of reviews from the opening night.

Guardian
The Arts Desk
Independent
Observer
Financial Times

A few weeks ago we were excited to appear at the Brighton Festival. Each year the festival has a different guest director and this years is Aung San Suu Ky, who chose Fidelio to be performed, for obvious reasons.

Here are a couple of  reviews from the performance:

Telegraph

Guardian

A couple more reviews from our concerts at the Queen Elizabeth Hall last week:

MusicOMH on our 7pm Mozart/Beethoven/Schubert concert

The Independent on Sunday on The Night Shift

OAE on Twitter

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