In what’s now become an annual feature we asked office staff here at the OAE which concerts in the upcoming season they are particularly looking forward to – and here’s what they said. Oh, and you can hear more of these from the horses mouths (so to speak) in our new Podcast.
“I’m very excited to hear the Mozart programme on 24 Nov. It has an amazing cast of singers and I am interested to see how the new narration that was written especially for this performance works.”
Isabelle Tawil, Development Manager, Individual Giving
“I can’t quite decide between these 2 which will be my top picks of the Season. I was immediately drawn to the Vladimir Jurowski concert (21 Jan) because OAE in this later repertoire is such an exciting occasion – it only tends to happen once or twice a year so is definitely one to savour. We already know that the orchestra sound fantastic and different playing Wagner from the Tristan project this Summer, and as I’ve never heard the OAE play Mahler OR Liszt before, that is something new to look forward to. I had super fun playing Les Preludes about 12 years ago and I can still remember all the tunes!
Mozart’s Die Entfuhrung will be a first for me also and I’ve spent so much time working on the details for it over the last few months I can’t wait to hear it all come together. The opportunity to hear the newly commission English narration by Simon Butteriss (which is currently sitting on my desk!) will I hope give it an exciting new dimension.”
Ceri Jones, Projects Director
“Think it’s got to be the 21 January 2010 concert with the legendary Vladimir Jurowski- I can’t wait to see what the OAE do with a bit of Mahler and Liszt! I also love Sarah Connolly’s voice after hearing her in our recent prom with Sir Simon Rattle :-)”
Natasha Stehr, Marketing and Press Officer
“I’m really looking forward to the Grand Tour of Italy programme on 20 October. Whilst I love the energy of the OAE on a massive scale, I have a soft spot for these smaller self-direct programmes. Being in the audience for these programmes is like being a member of the ensemble, they have a feeling of such intimacy that it feels like you are on the stage with them. As a cellist myself, I am also biased towards this programme as there is a cello concertos in it!”
Megan Russell, Projects Officer