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Here’s a little video diary from our trip to Paris back in January, when we took a supersized OAE there for a concert of Wagner, Liszt and Mahler with conductor Vladimir Jurowski and mezzo soprano Sarah Connolly. We armed Communications Director William Norris with a video camera, and here are the results:
We’ve had a bit of a backlog of videos here, so these audience vox pops have been somewhat delayed. But they’re here now. After our Symphonic Enlightenment programme of Wagner, Mahler and Liszt at the Royal Festival Hall back on 21 January we asked audience members what they had made of the performance (with conductor Vladimir Jurowski and soloist Sarah Connolly). Here’s what they said:
Back in January before our Mahler/Wagner/Liszt Symphonic Enlightenment concert at the RFH, Robert Philip gave a pre-concert talk discussing what impact the onset of the ‘recording era’ in the early 20th century had in helping us to understand what Mahler’s sound-world might have been like. Take a listen:
Projects Manager Megan Russell got snapping when we were in Paris with Vladimir Jurowski and our Symphonic Enlightenment programme a couple of weeks ago:
Regular readers of this blog or our Facebook Page will know we were due to interview Vladimir Jurowski back in December. Well, that didn’t happen as he wasn’t too well, and about to embark on a big tour. We did however catch up with him last week, when he was with us conducting the Symphonic Enlightenment programme. We’d like to say a big thank you to him for giving up some of his hectic schedule to speak to us – particularly given that a) He still wasn’t 100% well, as evidenced by the tissue clutched in his hand and b) his schedule really is super-packed – he didn’t even have any time off over Christmas!
Anyway, we had a bit of a backlog of videos last week, so this is a little late but hopefully still interesting. Vladimir talks to us about his concerts of Wagner, Mahler and Liszt with us, about how he ‘met’ the OAE and about our late-night Night Shift concerts. The next chance to hear our partnership with him will be this summer – details to be announced. Enjoy – and remember you can still listen to Friday’s concert for a few more days here.
We’re back from Paris and a second performance of our Symphonic Enlightenment programme of Wagner, Mahler and Liszt. First reviews from Friday’s performance are now in too – mainly from bloggers and online. Hopefully the Nationals will follow tomorrow. Thanks so much for the comments posted on our blog, You Tube video and also for the many Tweets we’re had as well. It’s always great to get such instant feedback!
Radio 3 recorded Friday’s concert at the Royal Festival Hall and you can listen to it at 7pm tonight, or online here for 7 days after.
Also coming up on the blog – a video interview with conductor Vladimir Jurowski, a round up of Night Shift news, pictures from Paris and a Parisien tour diary. Plus a parting shot from our intern Ingrid.
Tonight we play our Symphonic Enlightenment programme at the Royal Festival Hall - a late romantic programme of Wagner, Mahler and Liszt with 90 players on stage. For us, a huge undertaking. Parts of the programme had their first airing on Wednesday at our (Sold out) Night Shift, but tonight will be the first time that Sarah Connolly joins us to sing Mahler’s Lieder eines fahrenden Gesellen (well, not quite first, we have obviously rehearsed it!). We caught up with her earlier this week to ask her about the piece:
(Click through to YouTube to watch in HD)
What/when was your big breakthrough?
What do you fear the most?
To act against my own conscience.
Which mobile number do you call the most?
What – or where – is perfection?
Perfection is an ideal. As such it belongs into the reign of dreams.
Who is your favourite hero from fiction (book/comic/film/opera) – and why?
Snufkin (Snusmumriken) from the ‘Moomins’-series by Tove Jansson – for he is an idealist, an individualist, always calm, good-humoured, a music-lover and an eternal traveller. Read the rest of this entry »
In our latest video ahead of our concerts of Mahler, Wagner and Liszt this week we speak to our Principal Flute, Lis Beznosiuk. She talks about which flutes she is using for the concert, a task made difficult by the quite wide period of time (and hence flute-evolution) that the music spans, and also about why she loves Mahler so much.