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Ahead of our The Works performance tonight, in which we’ll be giving the audience a guided tour of Mozart’s Piano Concerto No.23, here a video with pianist Robert Levin talking about how differently things would have been done in Mozart’s day.
Here at OAE towers we are just having our coffee and getting set up for the week ahead. It’s a busy start to the week though as tomorrow sees the launch of our brand-new concert series, The Works. Here’s a trailer for tomorrow night’s event:
Pianist and scholar Robert Levin appeared with us last night in two concerts (a 7pm and a Night Shift) and today has been on a bit of a media blitz, appearing on Radio 4’s Today programme and the World Service too. There’s also something in the Evening Standard.
The reason? Well Robert has been talking about two things. Last night he performed Mozart’s Piano Concerto No.23 with us, and Robert’s research strongly points to it being written for a pupil of his, Barbara Ployer, something previously unknown. One of the reasons he suspects this is that he found a coda written for the piece, which was intended for Barbara, and this coda hasn’t been performed for at least 200 years. But alongside this, Robert has been talking about how we perform Mozart these days. Modern performance very much sticks to what is written on the page, with no deviation. But Robert argues that in Mozart’s day there would have been a lot of free rein given to the soloist, to embellish the basic musical line, improvise around it etc. In fact, Robert, argues that his hero, Duke Ellington, is really like a modern-day Mozart.
Robert is performing the Concerto with us again on 4 October, as part of our very first The Works event. In the event he’ll be joined by presenter Suzy Klein, and the first half of the concert will be given over to a ‘guided tour’ of the concerto. More on the event in this previous blog post.
Here’s Robert talking about the concerto, plus links to today’s coverage.
Many of you will know of, or will have been to, one of our Night Shift events. We introduced these late-night concerts about 5 years ago, for a number of reasons – the prime one being that we wanted to appeal to a different audience to that which comes along at 7pm. But also at the OAE we like experimenting and trying new things – and the idea of a late-night informal concert simply appealed to us. As evidenced by the fact we’re still doing them 5 years later, the series has been a great success, but a year ago we started thinking ‘what next’?
When I say ‘what next’ I mean in terms of types of concert. We really like the idea of varying the concert format, so that we have a range of things that appeal to different people. We already have our ‘standard’ 7pm concerts, the Night Shift and also our amazingly popular Tots events. So we started thinking about other ideas. A shortlist was drawn up, we debated it at a board meeting, and we decided to go for something which at the time was called an ‘explorer’ concert. Read the rest of this entry »
Viola player Annette (known to many in the OAE as ‘Netty’) Isserlis made a diary of our recent tour to the US. Here’s days 1-3 with the rest following tomrorow. We hope to post some pics up soon too… A few additions from the blog editor in the brackets!
Mon Mar 14
Scene: Carluccio’s, outside Terminal 5, LHR.
Breakfast with husband Ken between red-eye flight in from Schipol (following 2 OAE concerts in Groningen and Nijmingen with Rachel Podger), and impending flight to USA: Ken to LA for solo concerts and Me to Boston with OAE and Sir Roger (Norrington), continuing the CPE Bachfest.
Dreadful news continuing to come through about the Japanese Disaster(s). Ken’s family all ok.
Painless flight to Boston followed by similarly painless Immigration, amazingly! It transpired that he chatty officer knew Yo-yo Ma personally….
Convivial dinner and bed not too early: it’s the only way to sleep through the 1st night, in my experience.
Read the rest of this entry »
A while back we asked you for suggestions for our opening concert of our 2011-2012 concert of season at Southbank Centre. Now, we have to admit we weren’t really overwhelmed with entries, certainly not as many as last year, but despite this we did get a few good suggestions (after all, quality is better than quantity, right?). We’re just finalising everything for the new season now ahead of a press launch in January and thought we’d let you choose which title we go with. To jog your memories the concert is:
Weber Overture Der Freischutz
Mozart Piano Concerto No.23
Mendelssohn Symphony No.3, Scottish
Robert Levin piano
Voting will close at 4pm on Thursday 16 December
We seem to have done a few of these ‘smash and grab’ dates, as this type of trip is affectionately known, to New York recently. Those of the orchestra who really can’t stand the jet lag seem to avoid the trip so those who do go take it for what it is and we realise we are very lucky to be taken to exciting places, something most working people never do. And for me personally, my view is that I’ve done trips away to all kinds of undesirable places, so a(nother) chance to spend some time in this amazing “city that never sleeps” (with an Orchestra that hardly sleeps) is absolutely fine by me.
Anyway, as someone with young children it sometimes feels as though I’m in an extended state of jet lag. So if the worst bit is a couple of films and some kip then fine by me. On the outward flight I even got to sit next to a cello which didn’t fall asleep on me or even want to get out to go to the loo.