You are currently browsing the tag archive for the ‘Adrian Bending’ tag.
“My picks of the season: All of them of course….but if I really have to make a choice I’m really looking forward to the French romantic programmes. I can’t agree with Mendlessohn – I love Berlioz’s orchestration and particularly the subtle and effective ways he uses the double bass, and I can’t wait to hear what Debussy’s La Mer sounds like on period instruments. But just as exciting is the prospect of working with Laurence Cummings and the amazing energy and colour he brings to Handel and Bach, And then there’s the fab soloists like Levin, and Bostridge, and Podger, and Isserlis, and Faust and, and, and…you see I’m back where I started: all of them!
Cecelia Bruggemeyer, Double Bass
I’m very much looking forward to the Glory of Venice in January. The Monteverdi Vespers in 2010 was such a wonderful project I’ve been wanting to do more of that repertoire ever since. The Choir of the Enlightenment were fantastic and Rob Howarth has real insight into that style. For the Vespers I bought a new instrument – a beautiful copy of a Spanish bajon tuned in Dorian Mode - and it hasn’t had an outing since then! I’m also really looking forward to Romeo and Juliet with a team of four bassoons all playing early 19th century French originals – that’s a real rarity!
Andrew Watts, Bassoon
The French programme with Sir Simon Rattle in June is particularly exciting and challenging for the OAE’s timpani and percussion players. Spending our lives firmly in the rhythm section in classical repertoire, through the second half of the 19th century composers started to use timpani more as a harmonic instrument and percussion to create tone colours and effects. As the OAE branches out once again into a new area, we’ve got to select our instruments carefully with Debussy’s fascination with oriental music firmly in mind.
It’s reasonable to assume that Debussy’s La Mer , with its exotic influences and soporific moods, to be solely influenced by the Mediterranean, but it’s an interesting fact that Debussy actually finished the composition during an extended stay in Eastbourne! I haven’t yet been able to identify the “kiss-me-quick”, fish ‘n’ chips and donkey rides influences of the British seaside, but I’m sure they’re there somewhere…. Definitely one for a pub quiz….!
Adrian Bending, Timpani
We seem to have done a few of these ‘smash and grab’ dates, as this type of trip is affectionately known, to New York recently. Those of the orchestra who really can’t stand the jet lag seem to avoid the trip so those who do go take it for what it is and we realise we are very lucky to be taken to exciting places, something most working people never do. And for me personally, my view is that I’ve done trips away to all kinds of undesirable places, so a(nother) chance to spend some time in this amazing “city that never sleeps” (with an Orchestra that hardly sleeps) is absolutely fine by me.
Anyway, as someone with young children it sometimes feels as though I’m in an extended state of jet lag. So if the worst bit is a couple of films and some kip then fine by me. On the outward flight I even got to sit next to a cello which didn’t fall asleep on me or even want to get out to go to the loo.