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We’ll surely do a proper blog about last night’s Night Shift pub gig soon, but here’s a quick roundup with pictures and your feedback. Huge thanks to everyone who came along – we couldn’t have fitted many more of you in! A full set list will follow shortly.
“this was a great night out “
Bachtrack review
Twitter feedback:
@rubertg: Was at @theoae’s Purcell In The Pub last night. Fabulous evening, sweaty, beery, noisy, tuney. Like being there the first time around.
@katysaustin: Fun, rustic pub ‘n’ Purcell chez @theoae last night; @thoroughlygood as compere.
@kitmonsters: Fab pub gig @theoae setting a new benchmark for vintage kit
+ gorgeous tuneage from DJ @rocking_bob @bobpetesarah St Etienne
@paulcampy: fantastic music at #TheNightShift courtesy of @theoae – but a bit of a shame either venue too small or too many tickets sold.
Audience comments
Pics (all by Joe Plommer)
Yesterday saw day three of rehearsal for our tour to San Sebastian, Edinburgh and Warsaw. We were at Henry Wood Hall in Borough, one of the busiest Orchestral rehearsal venues in London. It’s a beautiful building, a converted church in a perfect Georgian Square. We were there rehearsing the Mendelssohn concerto with violinist Alina Ibragimova, which we’ll also be going on to record once the tour is finished. Here are a few pictures from the rehearsal.
- Librarian Colin Kitching prepares the music
- Exterior of Henry Wood Hall
- Exterior of Henry Wood Hall
- Double Bass cases outside
Here’s a little audio-visual recap of The Night Shift which we held at Village Underground a few weeks back. Project Director Ceri’s account of how her Night Shift day went is below, but in this post we have a little video with footage from the event plus audience reaction – make sure you watch it right to the end…
Also a selection of pics – you can view the full set over on The Night Shift’s Facebook page or instead on Flickr, if you prefer.
Here are some pictures of the brand new production of Handel’s Rinaldo at Glyndebourne which we’re appearing in. Director Robert Carson has gone for quite a radical take on the opera, imagining it as a schoolboy’s day-dream. Find out what the critics made of it in our reviews roundup below. Rinaldo plays at Glyndebourne until 22 August. All pictures are © Bill Cooper
OAE Projects Manager Megan Russell is a keen photographer and took some great pictures from the Luxembourg and Paris legs of the tour – here are a selection:
- Double Bassist Chi-chi Nwanoku has a whole bar named after her in Luxembourg!
- Communications Director William Norris sampling traditional Luxembourg cuisine
- The stunning Philharmonie in Luxembourg – our venue for the night
- TGV to Paris
- Orchestra Mahager Philippa prepares Sir Simon’s post-show drink…
- Safe-guarding said drink
- Orchestra members backstage
- William taking pictures of *everything* backstage
- View into the auditorium from backstage at the Théâtre des Champs-Elysées, Paris
- A little seafood to celebrate – OAE Chief Executive Stephen Carpenter and Donagh Collins from our agents Askonas Holt
Full service on the blog will resume tomorrow, but in the meantime here are some pictures from our performance at the Philharmonie in Luxembourg the other week, where we performed with Sir Simon Rattle and the Labèque sisters. All pictures © Sébastien Grébille.
For tonight’s Night Shift we tried something new to promote it and booked a number of ‘fly-posting’ sites around London. The posters arrived in the office last week, and we have to admit we were pretty pleased with them – but not as pleased as we were when we saw the pictures of them in situ! Here are a selection of pictures of the posters up – hope you like. If it’s intrigued you tickets are still available for tonight’s event.
Coming up next week on the blog: Violinist Susan Carpenter-Jacobs on the Rattle tour and life in a stage-band, first post from a mystery ‘Back-Row Blogger’, pictures from the Rattle tour, everything you’d ever want to know about touring with Fortepianos and the low-down on how and why the Queen of Pop, Madonna, ended up coming to our concert last week…
William Norris, Communications Director
Anyone who knows us well will know that we don’t ‘do’ ordinary pianos. We use period pianos, in-keeping with our philosophy of being authentic. Ceri, our Projects Director, has promised to write a little blog about the pianos used on our upcoming tour with the Labeque sisters, so look out for it appearing here soon. In the meantime, today was our first rehearsal with the sisters and the Fortepianos, basically early versions of today’s piano, were looking rather splendid.
So below we posted some rather scary unofficial pictures from the last Night Shift, which mainly seemed to consist of people screaming at the camera. Now we can post some other, perhaps more beautiful, official pictures, taken by Joe Plommer. The full set can be viewed here. The Night Shift returns on 24 June as part of the Spitalfields Music Summer Festival.

















































































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